Deconstructive font, suitable only for initials; two variations for each letter; a game of positive and negative effects
New forms foreign to letters overlap the familiar contours. Nearly similar forms and reflections lend an ornamental effect to some of the characters. Geometrical gimmicks sometimes call to mind Kurt Schwitters, and incidental amorphous forms make one think of Hans Arp.
And yet, each letter retains the essence for its legibility. Similarly, the illuminators of the Middle Ages also designed their handwritten decorative initials with imagination.
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