Hummingbird is reminiscent of old-fashioned cursive penmanship, the sort learned by endless repetition and found in treasured letters bundled together by silken ribbons or in worn leather-bound ledgers. The aim, across the past few centuries, was a graceful, yet disciplined uniformity. But to the discerning eye, those hours of painstakingly practiced elegant scripts were still, at their essence, thoroughly human, filled as they were with unintentional variations in pressure, contrast, and fluidity.
My typeface, Hummingbird, uses technical sophistication to bring us a typeface that is lovely, sensual, airy, personal, and, in its sensitively wrought irregularities, as innately and intimately human as the writer’s hand and pen.
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