Kentish Pro is an elegant pairing of thick and thin sans-serif upright and italic types, walking a line between deco style and vintage wood types. Originating as a revival and elaboration of a limited lettering specimen from a series of old loose spanish specimen book pages...what began as just Capitals, Lowercase and Numerals was expanded to a rich pro glyphset including punctuation, small caps, small caps scaled figures, unlimited fractionals, superiors & inferiors, ordinals, tabular & proportional figures, and an expanded language glyph set. From historical harkenings to modern letterpress, book covers, headlines, or anything else you want to give a dash of indescribable authenticity to, Kentish Pro is here to fill your need with Regular & Italic styles bundled together at a single price.
WHAT'S INCLUDED:
Fonts are provided in TTF & OTF formats. Both formats function identically, so install whichever format you prefer for your needs.
Extensive language support. Invocation has accented and special characters that support the following languages: Afrikaans, Albanian, Basque, Bosnian, Breton, Catalan Cornish, Corsican, Croatian, Czech, Danish, Dutch, Embu, English, Esperanto, Estonian, Faroese, Filipino, Finnish, French, Galician, German, Hungarian, Icelandic, Irish, Indonesian, Italian, Kurdish, Leonese, Luxenbourgish, Malay, Maltese, Manx, Maori, Meru, Morisyen, North Ndebele, Norwegian Bokmål, Norwegian Nynorsk, Nyankole, Occitan, Oromo, Polish, Portuguese, Rhaeto-Romanic, Romanian, Scottish Gaelic, Scots, Serbian (Latin), Slovak, Slovenian, Spanish, Swahili, Swedish, Tagalog, Turkish, Walloon, & Welsh.
One of my guilty pleasures is in taking the time to recreate historical typefaces as digital fonts, and expand on their character sets to enable them to be used more widely than their limited originals. A lot of incredible historical typestyles created as wood or metal type with bare bones character sets have been lost or only exist as limited specimen proofs in old books. These typefaces may have more niché uses than modern typefaces, but I believe it is important nonetheless to preserve these typefaces for future generations. These typefaces, if nothing else, can often inspire new creations.
Comments and likes are welcomed and appreciated, but if you have any issues or inquiries, please don't hesitate to drop me a message.
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