It was originally designed as part of a type system for cinema magazines, and embodies the devil-may care attitude of the silver screen. Designer Michele Patanè looked back to an earlier era of typography to create the typeface, embracing unusual details, rather than ironing them out.
"There is a very naive way of using typography in the 30s and 40s, something not as clean as how it's used in the late 50s and 60s when everything passed through a rationalisation of the typographic palette," he explains. "In film magazines you can still see a bit of roughness, and I like that."
This is a design that's desperate to be used in editorial environments, and has been created to stand up to lower quality paper. It would be equally at home on posters, packaging, and even in digital environments where designers are looking for something more expressive than another geometric sans serif.
Malden Sans includes a Normal and Condensed range, with 7 weights in the normal and 6 in the Condensed, both including italics.
Font Family:
· Malden Sans Thin
· Malden Sans Thin Italic
· Malden Sans Light
· Malden Sans Light Italic
· Malden Sans Regular
· Malden Sans Italic
· Malden Sans Medium
· Malden Sans Medium Italic
· Malden Sans Bold
· Malden Sans Bold Italic
· Malden Sans ExtraBold
· Malden Sans ExtraBold Italic
· Malden Sans Black
· Malden Sans Black Italic
· Malden Sans Cond Thin
· Malden Sans Cond Thin It
· Malden Sans Cond Light
· Malden Sans Cond Light Italic
· Malden Sans Cond Regular
· Malden Sans Cond Italic
· Malden Sans Cond Medium
· Malden Sans Cond Medium Italic
· Malden Sans Cond Bold
· Malden Sans Cond Bold Italic
· Malden Sans Cond ExtraBold
· Malden Sans Cond ExtraBold Italic
File Size: 9.6 MB